These compositions explore gated-feedback networks where several musical sources ‘resolve’ to near-infinite variation and polyrhythmic/tonal complexity.
created by Paul Ruston in 2014.
"Theory is a Recipe for Style" (J. Tenney)
These compositions explore gated-feedback networks where several musical sources ‘resolve’ to near-infinite variation and polyrhythmic/tonal complexity.
created by Paul Ruston in 2014.
I’m an experimental composer and theorist. I’m interested in the phenomenon of music to the degree that culture (biology vs environment) can be removed from the musical experience, which it cannot. I don’t believe in style, but I engage in it every time I create and think about music.
I experiment, explore, improvise, compose, perform, teach, and theorize.
My music is variously bizarre, noisy, complex; ironic, sweet, clichéd. I’m most attached to the ones simple at heart.
I consider myself an expert in the following fields of musical study:
King Apparatus (ska, 1990-95); The Artichokes (rock, 95-97); Film/TV Composer (94-2003); Combo Royale (swing, current); Experimental Composer (current); Slaughterhouse 5 (free-improv); Frankie Foo (ska, current); Noiselandia (avant pop, current)
Each of these individuals have had a profound effect on how I think about and make music.
Chet Atkins, Jeff Beck, Boyoyo Boys, Glenn Branca, Roy Buchanan, Ali Akbar Khan, Cheap Trick, Ornette Coleman, Claude Debussy, Frank Denyer, Devo, Duke Ellington, The Faces, Robert Fripp, Mick Gooderick, Grant Green, Jimi Hendrix, Alvin Lucier, Harry Partch, The Police, Steve Reich, Marc Ribot, Terry Riley, Sam Rivers, Carl Ruggles, Erik Satie, Giacinto Scelsi, Elliott Sharpe, Igor Stravinsky, James Tenney, XTC, Frank Zappa.